The Cream end table by Ettore Sottsass for MEMPHIS (1984) is a rare example of the designer's play/riff on minimalism of course he just can't help himself and adjoins it with softened but vivid color strips at its base. But then, we've gone this far how about utilitarian? He added two (2) inset "handles" for ease of movement and placement (as subtle as this is, the more craftsmanship that it took to achieve this precisely).